Reflection of Learning Processes
Yesterday’s work with my students focused on musical
theatre repertoire, currently looking at a specific show, ‘A Chorus Line’ with
the intention of delving into characters and developing the student's
understanding of narrative, physicality and characterisation.
I was particularly looking forward to working with the
students this week, as the exercise that I had planned to cover was an
exploration of some of the learning processes that I feel I have gained from
the BAPP programme, exploring the idea of developing ideas through questioning and
gaining knowledge and understanding through experiential learning particularly
focusing on the idea of reflective practice (Schon 1983, 1987), “the use of
reflection in professional activities as a means of coping with situations that
are unstructured” (Jennifer A. Moon, 2004).
Within all my teaching I ensure that the planning of my
lessons are with the aim of working towards goals and objectives such as ‘to
gain a stronger understanding of the social background to the production’ or
‘to learn and successfully execute the opening sequence of choreography
showcasing understanding of stylistics and strong technical execution’, but my
planning tends to be meticulous in structure of tasks to try and give students as
much guidance as possible in reaching these goals. This week I decided to
broaden the learning objective, stating it as ‘to discover more about their
character’. The exercise involved asking students to improvise the opening
audition sequence of the show as their characters. I asked the student playing
the director to lead the session. No further instruction. I was awaiting a series of questions and clarification of rules and parameters to be set from the students. Interestingly,
no questions were asked and the students were excited at the prospect of the work.
The exercise began and students jumped right into the
work and were actively engaged and experimenting with their physicality, characters,
speech and most interestingly their interaction with each other, playing with
the ideas of who their characters were gravitating towards, and the reactions that they
were giving to each other. This resonated with me and made me think about the
importance of learning about ourselves through networks around us, sharing
ideas and ‘playing’ with thoughts and questions which can then be reflected on.
This lead me to think further on a common discourse that is brought up within
my establishment. The weighting of student led activity and contact time within a student’s course. Many believe that contact time is the best teaching
approach and offers the most successful outcomes as a learning process to
students, whereas there is an argument that students can discover more about
the topics covered through self-motivation student led activity that allows
them to generate their own ideas and reflect in action.
This discourse generates questions of its own;
·
Are these different approaches more effective in
certain disciplines than others?
·
Does student led activity offer equal
opportunities?
·
Which approach is more effective?
·
Do some students find one process more
beneficial than another?
Discussion through reflective writing on this day has
allowed me look deeper into the learning processes applied to my practice, and
think further about how to develop these. Using Kolb’s experiential learning
cycle I can identify that through discussion with blogs, ideas have grown which
relate to the Abstract Conceptualisation point of the cycle, with Active
Experimentation taking place through the exercise working with my students, Concrete
Experience following with the feelings I had both during and after the exercise
and through witnessing students participation and learning, and Reflective
Observation through forms such as this piece of writing.
Bibliography;
Jennifer A. Moon. (2004). A
Handbook of Reflective and Experiential Learning.
RoutledgeFalmer
Queens University Learning Hub. 2018. Kolb, David.
[ONLINE] Available at: https://www.queensu.ca/experientiallearninghub/about/what-experiential-learning.
[Accessed 9 October 2018].
A great blog. It really shows how everything is well interlinked and how the course is enriching our practice. Regarding the discourse discussed I believe there are many benefits for both student and teacher. The student has a deeper understanding of their performance as it was created by themselves and has a greater attachment both physically and mentally to the piece. As a teacher I have often been pleasantly surprised when instructing students to improvise, watching sometimes quieter or less confident students come into their own or incorporate something they may have learnt elsewhere, therefore making it their own.
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